Venus in Eros: Cannes 2011 Review

The Bottom Line

The cinematic equivalent of sitting in front of a store window and gaping at the mannequins for 80 minutes.

Venue

Cannes Film Festival, Market

Cast

Saori Hara, Sonoya Mizuno, Alan Vincent

Director-producer

Takako Imai

CANNES -- Director Takako ?Venus in Eros is not so much a movie as it is a museum display, as three largely stationary figures are clothed to represent different sides of ?beauty and sexuality. Twixt these prolonged mannequin scopings, filmmaker Takako Imai intercuts with a broad range of stirring landscape shots, which supposedly cast perspective on whatever is not happening.

Overall, best venues might be side rooms in under-funded museums.

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The best thing this British film has going for it is its title, Venus in Eros, which suggests a certain distillation and commentary on the inter-relation of beauty and eroticism. No such illuminations are revealed in this impotent offering. It's flaccid camera work ? long holds on statuesque figures -- supposedly infuse depth and meaning but rather inspire napping.?

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In this static Market offering, there's a lot of posing but no real acting. Because it's somber, with a grating musical score, some might be tricked into thinking Venus has substance. However, boring and annoying does not equal ?serious? filmmaking, even by the standards of ?film-festival ?poseurs.?

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On the plus side, the film is resuscitated in parts by a rousing, piano onslaught of minor keys and flashy arpeggios. ?

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At 80 minutes, it's one very long film, but could be revived with a 76-minute trim. That would leave the nature shots, which could be cut and re-marketed as screensavers.

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Venue: Cannes Film Festival, Market

Production company: RME Films

Cast: Saori Hara, Sonoya Mizuno, Alan Vincent, Darren Ellis, Martin Collins

Director/producer: Takako Imai

Directors of photography: Jay Dacey, Peter Ditch, Nick Gordon Smith.?

Music: Libera, Tempei

Editor: Dominic Jacobs

No rating, ?80 minutes

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